Himno Nacional de Espagna en versión de Eduardo Marquina usado en tempo de Alfonso XIII e
Himno Nacional de Espagna en versión de Eduardo Marquina usado en tempo de Alfonso XIII en 1909, una versione bellisima per voi paese!! :-)
Gloria, gloria, corona de la Patria,
soberana luz
que es oro en tu color.
Vida, vida, futuro de la Patria,
que en tus ojos es
abierto corazón.
Púrpura y oro: bandera inmortal;
en tus colores, juntas, carne y alma están.
Púrpura y oro: querer y lograr;
Tú eres, bandera, el signo del humano afán
Gloria, gloria, corona de la Patria,
soberana luz
que es oro en tu color.
Púrpura y oro: bandera inmortal;
en tus colores, juntas, carne y alma están.
una versione bellisima per voi paese :-)
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Himno Nacional de España, versión di José María Pemán y Pemartín por encargo del dictador
Himno Nacional de España, versión di José María Pemán y Pemartín por encargo del dictador spagnol Miguel Primo de Rivera y Orbaneja (septiembre 1923-enero de 1930)
¡Viva España!
alzad los brazos
hijos del pueblo español
que vuelve a resurgir.
Gloria a la Patria
que supo seguir
sobre el azul del mar
el caminar del sol.
Triunfa España
los yunques y las ruedas
cantan al compás
del himno de la fe.
Juntos con ellos
cantemos de pie
la vida nueva y fuerte
del trabajo y paz.
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Ludwig Van Beethoven, Symphony No 9 in D Minor "Choral" Op. 125, Part III, "Ode to Joy", "
Ludwig Van Beethoven, Symphony No 9 in D Minor "Choral" Op. 125, Part III, "Ode to Joy", "Oda a la alegría", "ode an die freude"
DIE BERLINER PHILHARMONIKER ORCHESTER
CONDUCTOR: Claudio Abbado
SOLIST: Karita Mattila: Soprano (Finland) Violeta Urmanavičiūtė Mezzo-Soprano (lithuania) Thomas Moser, Tenor (United States) Eike wilm Schulte, Bass (really Baríton) (Germany)
Swedish Radio Choir
Eric ericson chamber Choir
Chorus master: Tonu kaljuste
MOVEMENT IV PART III
VIII_ Allegro Energico, Sempre Ben Marcato, Choral in Counterpoint "Freude, schöner Götterfunken" 00:01min-02:32min:
*A) Choir Female
Freude, schöner Götterfunken
Tochter aus Elysium,
Wir betreten feuertrunken,
Himmlische, dein Heiligtum.
*B) Choir Masculine
Seid umschlungen, Millionen!
Diesen Kuss der ganzen Welt!
* A-B in Counterpoint
Choir Complete
Seid umschlungen, Millionen!
Diesen Kuss der ganzen Welt!
Brüder - überm Sternenzelt
Muss ein lieber Vater wohnen.
Ihr stürzt nieder, Millionen?
IX _ (a) Allegro ma non Tanto, Aria für Bass, Tenor, mezzo-soprano und Soprano "Freude, Tochter aus Elysium" 02:33min-04:39min:
Choir Solist Masculine:
Freude, Tochter aus Elysium
Choir Solist Female:
Freude, Tochter aus Elysium
Choir Solist Female:
Freude, Tochter aus Elysium
Choir Solist Masculine:
Freude, Tochter aus Elysium
Chor Solist in Counterpoint:
Deine Zauber binden wieder,
Was die Mode streng geteilt;
Choir Complete:
Deine Zauber binden wieder,
Was die Mode streng geteilt;
Alle Menschen werden Brüder,
Wo dein sanfter Flügel weilt.
Choir Solist Complet in double fugue:
Alle Menschen werden Brüder,
Wo dein sanfter Flügel weilt.
IX_ (b) Poco Allegro, Stringendo il tempo, Sempre più Allegro, 04:40min-04:45min.
IX_ (c) Prestissimo, Choral "Seid umschlungen, Millionen!", 04:46min-05:48min:
Choir complete:
Seid umschlungen, Millionen!
Diesen Kuss der ganzen Welt!
Brüder - überm Sternenzelt
Muss ein lieber Vater wohnen.
Seid umschlungen, Millionen!
Diesen Kuss der ganzen Welt!
Freude, schöner Götterfunken
Tochter aus Elysium,
Freude, schöner Götterfunken!
IX_ (d) Finale, Sempre Prestissimo, 05:49min-06:02min
Last complete symphony of my dear German composer (since beethoven his reached to Sketch your tenth symphony), and which is very important for the transformations of the music that Beethoven achieved, simultaneously, that it corresponds to one of the summits of the history of the humanity in the music and the art. Specially his fourth movement is very recognized by the whole humanity and has turned into an anthem to the freedom, equality and brotherhood that beethoven was trying getting in all your works, specially your symphonies. Nowadays it is the anthem of the European Union, from 1986. premiere on May 7, 1824 in the theatre of porta carinzia, in Wien, Österreich, under the direction of ignaz schuppanzigh, completed between the year 1822 and 1824 and dedicated to Federico guglielmo III king of Prussia.
The Symphony is scored for, two Flutes, two Oboes,Oboe Piccolo (in the fourth movement only) two Clarinets in A, B flat and C, two Bassoons, Contrabassoon (in the fourth movement only), two Horns (I and II) in D and B flat, two Horns (III and IV) in B flat (Bass), B flat and E flat, two Trumpets in D and B flat, three Trombones (Alto, Tenor, and Bass, second and fourth movements only), Timpani, Triangle (fourth movement only), Cymbals (fourth movement only), Bass drum (fourth movement only), and Strings.
The vocal parts consist of Soprano, Mezzo-Soprano, Tenor, Bass (In occasions Bariton), and Choir in four parts (Soprano,Mezzo-Sorprano, Tenor (divided briefly into Tenor I and Tenor II) and Bass).
These are by far the largest forces needed for any Beethoven Symphony; at the premiere, Beethoven augmented them further by assigning two players to each wind part.
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Ludwig Van Beethoven, Symphony No 9 in D Minor "Choral" Op. 125, Part II, "Ode to Joy", "O
Ludwig Van Beethoven, Symphony No 9 in D Minor "Choral" Op. 125, Part II, "Ode to Joy", "Oda a la alegría", "ode an die freude":
DIE BERLINER PHILHARMONIKER ORCHESTER
CONDUCTOR: Claudio Abbado
SOLIST: Karita Mattila: Soprano (Finland), Violeta Urmanavičiūtė Mezzo-Soprano (Lithuania) Thomas moser Tenor (United States) Eike Wilm Schulte, Bass (really Baríton) (Germany)
Swedish radio choir
Eric ericson chamber choir
Chorus master: Tonu kaljuste
MOVEMENT IV PART II:
IV_ Alla Marcial, Aria für Tenor und Orchester " Froh, wie seine Sonnen", 00:01min-02:59min:
Tenor:
Froh!, wie seine Sonnen fliegen
Durch des Himmels prächtgen Plan,
Laufet, Brüder, eure Bahn,
Freudig wie ein Held zum Siegen.
Chor masculine und Tenor
Laufet, Brüder, eure Bahn,
Freudig wie ein Held zum Siegen.
V_ Allegro Vivace Assai, Choral "Freude, schöner Götterfunken", 03:00min- 03:46min:
Chor complete:
Freude, schöner Götterfunken
Tochter aus Elysium,
Wir betreten feuertrunken,
Himmlische, dein Heiligtum.
Deine Zauber binden wieder,
Was die Mode streng geteilt;
Alle Menschen werden Brüder,
Wo dein sanfter Flügel weilt.
VI_ Andante Maestoso, Choral "Seid umschlungen, Millionen!", 03:47min-05:45min:
Chor Masculine:
Seid umschlungen, Millionen!
Diesen Kuss der ganzen Welt!
Chor Complete:
Seid umschlungen, Millionen!
Diesen Kuss der ganzen Welt!
Chor masculine:
Brüder, überm Sternenzelt
Muss ein lieber Vater wohnen.
Ihr stürzt nieder, Millionen?
Chor female:
Brüder - überm Sternenzelt
Muss ein lieber Vater wohnen.
Ihr stürzt nieder, Millionen?
VII_ Adagio Ma Non Troppo, Ma Divoto, Choral "Ahnest du den Schöpfer, Welt?", 05:46min-06:58min:
Chor Complete:
Ahnest du den Schöpfer, Welt?
Such ihn überm Sternenzelt,
Über Sternen muss er wohnen.
Last complete symphony of my dear German composer (since beethoven his reached to Sketch your tenth symphony), and which is very important for the transformations of the music that Beethoven achieved, simultaneously, that it corresponds to one of the summits of the history of the humanity in the music and the art. Specially his fourth movement is very recognized by the whole humanity and has turned into an anthem to the freedom, equality and brotherhood that beethoven was trying getting in all your works, specially your symphonies. Nowadays it is the anthem of the European Union, from 1986. premiere on May 7, 1824 in the theatre of porta carinzia, in Wien, Österreich, under the direction of ignaz schuppanzigh, completed between the year 1822 and 1824 and dedicated to Federico guglielmo III king of Prussia.
The Symphony is scored for, two Flutes, two Oboes,Oboe Piccolo (in the fourth movement only) two Clarinets in A, B flat and C, two Bassoons, Contrabassoon (in the fourth movement only), two Horns (I and II) in D and B flat, two Horns (III and IV) in B flat (Bass), B flat and E flat, two Trumpets in D and B flat, three Trombones (Alto, Tenor, and Bass, second and fourth movements only), Timpani, Triangle (fourth movement only), Cymbals (fourth movement only), Bass drum (fourth movement only), and Strings.
The vocal parts consist of Soprano, Mezzo-Soprano, Tenor, Bass (In occasions Bariton), and Choir in four parts (Soprano,Mezzo-Sorprano, Tenor (divided briefly into Tenor I and Tenor II) and Bass).
These are by far the largest forces needed for any Beethoven Symphony; at the premiere, Beethoven augmented them further by assigning two players to each wind part.
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Ludwig Van Beethoven, Symphony No 9 in D Minor "Choral" Op. 125, Part I, "Ode to Joy", "Od
Ludwig Van Beethoven, Symphony No 9 in D Minor "Choral" Op. 125, Part I, "Ode to Joy", "Oda a la alegría", "ode an die freude":
DIE BERLINER PHILHARMONIKER ORCHESTER
CONDUCTOR: Claudio Abbado
SOLIST: Karita Mattila: sopran (Finland) Violeta Urmanavičiūtė, Mezzo-Sopran (Lithuania) Thomas Moser, Tenor (United States) Eike wilm Schulte, Bass (Really Baríton) (Germany)
Swedish radio choir
Eric Ericson chamber choir
Chorus master: Tonu Kaljuste
MOVEMENT IV
I_ Presto, 00: 50 min-06 39 min
II_ "Recitativo" für Bass und Orchester, "O Freunde, nicht diese Töne!" (text written for Beethoven) 06:40 min-07:21 min:
O Freunde, nicht diese Töne!
Sondern laßt uns angenehmere anstimmen, und freudenvollere.
III_ Allegro Assai: Aria für sopran, mezzo-sopran, tenor, bass, chor und orchester"Freude, schöner Götterfunken" 07:22 min-09:51 min:
Bass:
Freude, schöner Götterfunken
Tochter aus Elysium,
Wir betreten feuertrunken,
Himmlische, dein Heiligtum.
Deine Zauber binden wieder,
Was die Mode streng geteilt;
Alle Menschen werden Brüder,
Wo dein sanfter Flügel weilt.
Chor Complete:
Deine Zauber binden wieder,
Was die Mode streng geteilt;
Alle Menschen werden Brüder,
Wo dein sanfter Flügel weilt.
Chor Solist:
Wem der große Wurf gelungen,
Eines Freundes Freund zu sein,
Wer ein holdes Weib errungen,
Mische seinen Jubel ein!
Ja, wer auch nur eine Seele
Sein nennt auf dem Erdenrund!
Und wer´s nie gekonnt, der stehle
Weinend sich aus diesem Bund!
Chor complete:
Ja, wer auch nur eine Seele
Sein nennt auf dem Erdenrund!
Und wer´s nie gekonnt, der stehle
Weinend sich aus diesem Bund!
Tenor und Bass:
Heute trinken alle Wesen
An den Brüsten der Natur,
Tenor, Bass und Mezzo-Sopran:
Alle Guten, alle Bösen
Folgen ihrer Rosenspur.
Chor Solist:
Küsse gab sie uns und Reben,
Einen Freund, geprüft im Tod.
Wollust ward dem Wurm gegeben,
Und der Cherub steht vor Gott.
Chor Complete:
Küsse gab sie uns und Reben,
Einen Freund, geprüft im Tod.
Wollust ward dem Wurm gegeben,
Und der Cherub steht vor Gott.
Last complete symphony of my dear German composer (since beethoven his reached to Sketch your tenth symphony), and which is very important for the transformations of the music that Beethoven achieved, simultaneously, that it corresponds to one of the summits of the history of the humanity in the music and the art. Specially his fourth movement is very recognized by the whole humanity and has turned into an anthem to the freedom, equality and brotherhood that beethoven was trying getting in all your works, specially your symphonies. Nowadays it is the anthem of the European Union, from 1986. premiere on May 7, 1824 in the theatre of porta carinzia, in Wien, Österreich, under the direction of ignaz schuppanzigh, completed between the year 1822 and 1824 and dedicated to Federico guglielmo III king of Prussia.
The Symphony is scored for, two Flutes, two Oboes,Oboe Piccolo (in the fourth movement only) two Clarinets in A, B flat and C, two Bassoons, Contrabassoon (in the fourth movement only), two Horns (I and II) in D and B flat, two Horns (III and IV) in B flat (Bass), B flat and E flat, two Trumpets in D and B flat, three Trombones (Alto, Tenor, and Bass, second and fourth movements only), Timpani, Triangle (fourth movement only), Cymbals (fourth movement only), Bass drum (fourth movement only), and Strings.
The vocal parts consist of Soprano, Mezzo-Soprano, Tenor, Bass (In occasions Bariton), and Choir in four parts (Soprano,Mezzo-Sorprano, Tenor (divided briefly into Tenor I and Tenor II) and Bass).
These are by far the largest forces needed for any Beethoven Symphony; at the premiere, Beethoven augmented them further by assigning two players to each wind part.
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Johann Sebastian Bach, Cantata BWV 209 "Non sa che sia dolore".
solisti:
Magdalena Koz
Johann Sebastian Bach, Cantata BWV 209 "Non sa che sia dolore".
solisti:
Magdalena Kozenà: mezzo soprano
Reinhard Goebel: violino
musica antico Köln
Solisti: Soprano, Flauto traverso, Violino I e II, Viola e Continuo.
V_ Aria per Soprano "Ricetti gramezza e pavento", Flauto traverso, Violino I e II, Viola, Continuo.
Ricetti gramezza e pavento,
Qual nocchier, placato il vento,
Più non teme o si scolora,
Ma contento in su la prora
Va cantando in faccia al mar.
Solo: S, Flauto traverso, Violino I e II, Viola e Continuo.
scritto magari in 1729
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Cantata BWV 170 "Vergnügte Ruh, beliebte Seelenlust"
I_ Aria für Alto "Vergnügte Ruh, bel
Cantata BWV 170 "Vergnügte Ruh, beliebte Seelenlust"
I_ Aria für Alto "Vergnügte Ruh, beliebte Seelenlust", Oboe d'amore e Violino I all' unisono, Violino II, Viola, Continuo.
Vergnügte Ruh, beliebte Seelenlust,
Dich kann man nicht bei Höllensünden,
Wohl aber Himmelseintracht finden;
Du stärkst allein die schwache Brust.
Drum sollen lauter Tugendgaben
In meinem Herzen Wohnung haben.
Premiere the 28 Juli of 1726.
Text: Georg Christian Lehms (1711)
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Cantata BWV 180 "Schmücke dich, o liebe Seele"
Soli: Sopran, Alto, Tenor, Bass,
Coro:
Cantata BWV 180 "Schmücke dich, o liebe Seele"
Soli: Sopran, Alto, Tenor, Bass,
Coro: Sopran, Alto, Tenor, Bass.
I_ Choral für Flauto I und II, Oboe I, Oboe da caccia, Violino I und II, Viola, Continuo.
Schmücke dich, o liebe Seele,
Laß die dunkle Sündenhöhle,
Komm ans helle Licht gegangen,
Fange herrlich an zu prangen;
Denn der Herr voll Heil und Gnaden
Läßt dich itzt zu Gaste laden.
Der den Himmel kann verwalten,
Will selbst Herberg in dir halten.
premiere in the year 1724 (22 Oktober 1724)
text 1,3 and 7 of Johann Franck (1653)
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Opera di giuseppe Verdi e libretto di francesco maria piave.
Aria per tenor: La donna è
Opera di giuseppe Verdi e libretto di francesco maria piave.
Aria per tenor: La donna è mobile:
La donna è mobile, qual piuma al vento,
muta d'accento, e di pensiero.
Sempre un amabile, leggiadro viso,
in pianto o in riso, è menzognero.
La donna è mobile, qual piùma al vento,
muta d'accento, e di pensier
e di pensier, e di pensier
È sempre misero, chi a lei s'affida,
chi le confida, mal cauto il core!
Pur mai non sentesi felice appieno
chi su quel seno non liba amore!
La donna è mobile, qual piùma al vento,
muta d'accento e di pensier,
e di pensier, e di pensier!
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