Camila Manero

Born in Mexico City in 1968,
Of charismatic personality and passionate about dance, architecture, painting and photography.
Studied fashion design at the Jeanette Klein School of haute couture , flamenco dance in the city of Madrid at the Love of God center, contemporary dance with the french Ballet company: Ballet Theatre of Space. Photography at the photographic center Saul Serrano, and the active school of mexican photography. art history at the ITAM university . Self lerner in visual and digital techniques.
Ventured into arts as a dancer and promoter of independent dance companies at the same time; She complemented her dance studies with fashion design apparel for some dance companies and independent theater, as well as her own company , which she directed for 3 years.

Always willing and open to knowledge, her passion for dance opened new expressive possibilities and hence venture into photography. Developing her concern to promote dance through the lens, images that could transmit that passion. So she could preserve and share records as an evidence in her search of an artistic personal development.
Being studying photography its commitment as an artist and the boost to know more about authors and personalities of the arts world , mostly pictorial, architectural and sculptural, Art History opened her new sources of understanding for its own development taking resources, techniques and styles of other authors, in to finding her own.

Constructing textured images, fill with subtle emotion and dramatic managment of color , using different subjects and abstract concepts. she experiences and expresses the creative use of mergers and alternative techniques; her photographic work contains different treatments both analog and digital, where the contrast, shape and color seduction are translated to express her own original perception of the aesthetic and artistic beauty she finds in every form.

Giving life to characters in her own culture as well as inanimate objects or natural resources of experiences gained through countless trips, she expands the meaning of ordinary frames to make enriched images filled with feeling, expression, movement, shape and energy. Integrating them in a pictoric way , so that her work and her photographic proposal have transited through endless facets, trends and styles, enriching her growth as an author as well as a plastic artist.

finding her biggest and most pleasant expression in the abstract and or conceptual art, giving great freedom to manifest herself as an avant-garde photographer that mergers visual concepts with visual treatments and alternatives tools. each of her constructed images in to series thoroughly prepared, take their own course, projecting their own language; nurturing and channelled through different concepts filled with creativity.