Subscribe to my videos to keep updated on my new posts: starting in May 2008 I'll be uploa
Subscribe to my videos to keep updated on my new posts: starting in May 2008 I'll be uploading a new performance on the 15th of every month.
I teach guitar at Berry College in Rome, Georgia: www.berry.edu.
J.K. Mertz's (1806 -- 1856) Sehnsucht, or Longing, is from Bardenklänge (Bardic Sounds), Op. 13, a collection of twenty-five character pieces published in 15 volumes. Sehnsucht is from Vol. 10. Beyond vividly evoking a specific mood, this work demonstrates excellent thematic development as the opening bass motive is transformed throughout the piece.
This selection is part of a performance/masterclass that I gave for the guitar studio at Reinhardt College in Waleska, Georgia on 04/18/2008.
Thanks for listening!
Luther Enloe
www.enloeguitarstudio.com
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Alexandre Tansman's Alla Polacca from the Suite in Modo Polonico. Performed for the guitar studio at Reinhardt College in Waleska, Georgia on 04/18/2008.
I teach guitar at Berry College in Rome, Georgia: www.berry.edu.
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Subscribe to my videos to to keep updated on my new posts: starting in May 2008 I'll be u
Subscribe to my videos to to keep updated on my new posts: starting in May 2008 I'll be uploading a new performance on the 15th of every month.
I teach guitar at Berry College in Rome, Georgia: www.berry.edu
This Giga is the last movement of Guido Santorsola's Three Airs of Court. As the title of the work suggests this is a neo-classical piece forming a mini three movement Baroque suite. Born in Italy in 1904, Guido Santorsola went to Brazil with his family when he was five years old" Raised and educated in Sao Paulo, Brazil, he studied violin and viola, later establishing himself as one of the finest violists in Latin-America. Santorsola graduated in music in the "Conservatorio Dramatico e Musical de Sao Paulo" and later in the Trinity College of Music (London), In the early 1930s he moved to Montevideo, Uruguay.
Three Airs of Court is a lot of fun to play and is a great addition to the guitar's repertoire. I happened across the score while digging through old LP's at a thrift store in my hometown of Great Falls, Montana. There was a stack of music next to the LP's, which I assumed was old piano music. Upon looking closer I saw that it was a stack of classical guitar music! I purchased a six-inch stack of scores for about 50 cents.
I hope you enjoy the music!
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Subscribe to my videos to to keep updated on my new posts: starting in May 2008 I'll be up
Subscribe to my videos to to keep updated on my new posts: starting in May 2008 I'll be uploading a new performance on the 15th of every month.
I teach guitar at Berry College in Rome, Georgia: www.berry.edu
Luys de Narvaes' (c.1500-1560) Cancion del Emperador (Song of the Emperor) is actually based on Josquin Desprez's (c.1440-1521), vocal composition Mille Regretz (A Thousand Regrets). It was common practice for vihuela, Spain's version of the lute, composers to set popular songs of the day for their instrument. This is primarily how the tradition of playing solo instrumental music was begun. Supposedly the favorite song of the Holy Roman Emperor, Charles V, Narvaes named his version The Emperor's Song in homage. A translation of the original text reads "A thousand regrets in leaving you and going far from your loving face. I have great grief and grievous pain, so that soon people will see me end my days." This piece exemplifies the guitar's ability to handle multi voice textures and, as can be expected, the music reflects the deep sentiment of the lyric.
My studio recording of this piece is on my debut CD, Music for the Guitar, available through my web site: www.enloeguitarstudio.com.
This clip is taken from a 2003 recital in the Weaver room at the Emerson Center for the Arts and Culture in Bozeman, Montana (www.theemerson.org). Setting up and playing this recital was a bizarre experience... Just look at that backdrop! A traditional Irish band was performing in another hall the same time as I. Ten minutes before I was to begin playing Bagpipes started bellowing right under the open windows of my venue. Neither the audience nor myself knew how long they were going to go and fortunately they stopped right when I was to begin playing. All in all the performance when pretty well, and my friend Eric Hyppa brought his video camera so now I can share this video with you.
Thanks for watching!
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Subscribe to my videos to keep updated on my new posts: starting in May 2008 I'll be uploading a new performance on the 15th of every month.
I teach guitar at Berry College in Rome, Georgia: www.berry.edu
This is the third and final clip from the Tuesday Music Club recital that I played in Great Falls, Montana, way back in 1994. This was probably my first public recital on the classical guitar out side of a university setting. As you can see from the nativity scene it was December and I had just finished my first semester as a guitar major at the University of Georgia studying with John Sutherland.
Fernando Sor (1778-1839) was one of the guitar's greatest composers. He wrote over four hundred pieces for the guitar as well as opera, ballet and other musical genres. Sor's compositional style is similar to that of Haydn and Mozart. This short, lyrical piece has been used as background music in commercials and is one of Sor's more popular studies. This piece was originally published in Sor's set of twenty-four exercises Opus 35. Today it is better known as Estudio 5 due to Segovia's publishing of twenty Sor studies in 1945. This is a beautiful piece of music and I hope that you enjoy the performance.
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Subscribe to my videos to keep updated on my new posts: starting in May 2008 I'll be uplo
Subscribe to my videos to keep updated on my new posts: starting in May 2008 I'll be uploading a new performance on the 15th of every month.
I teach guitar at Berry College in Rome, Georgia: www.berry.edu
This clip is from a recital I played for the Tuesday Music Club in Great Falls, Montana, way back in 1994. This was probably my first public recital on the classical guitar out side of a university setting. As you can see from the nativity scene it was December and I had just finished my first semester as a guitar major at the University of Georgia studying with John Sutherland.
Miguel Llobet (1878-1938) published approximately 100 works for guitar. Among these are 13 settings of Catalan folksongs. The harmony employed in El Mestre is reminiscent of the Impressionists. Andres Segovia said of the piece, "the effective orchestration of its tone colour and its delicious dissonance play on the plaintive character of that folk theme." That being said, I hope that you enjoy this performance.
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Subscribe to my videos to keep updated on my new posts: starting in May 2008 I'll be uploa
Subscribe to my videos to keep updated on my new posts: starting in May 2008 I'll be uploading a new performance on the 15th of every month.
I teach guitar at Berry College in Rome, Georgia: www.berry.edu
At the end of the Christopher Parkening master class held in Bozeman, Montana participants vote for performers to represent the class in a public recital. Here is a clip from my performance in the 1998 master class recital.
Brazilian composer Heitor Villa-Lobos (1887-1959) was the prolific composer of around 2000 works. His compositions for guitar are considered an important addition to the guitar's repertoire. Etude No.8 is from his Twelve Studies written for the guitar in 1929 and published in 1952. The melody of Etude No. 8 first appears in the bass, evoking the cello, and then appears in the upper register with arpeggio accompaniment. I hope you enjoy the music.
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