From a live performance of Giuseppe Verdi's Macbeth sung in German.
Macbeth - Mic
From a live performance of Giuseppe Verdi's Macbeth sung in German.
Macbeth - Michael Davidson
Lady Macbeth - Regina Fonseca
Assorted pics from: Aida, Rigoletto, Macbeth, Tales of Hoffmann, Die Kluge,
Il Trovatore, Das Rheingold, Parsifal, Falstaff, Don Pasquale, Nabucco, Tosca, Andrea Chenier, Simon Boccanegra,
La Boheme, Cardillac, Palestrina and La Gioconda.
Resume of Michael Davidson, baritone
Born in Long Beach, California, Michael Davidson studied voice with the Bolshoi's Verdi baritone Vladimir Dubinsky (a student of Antonio Cotogni's), while Hugo Strelitzer and Herbert Weisskopf were his coaches. Michael gave his European debut at the Concertgebouw presenting a variety of Verdi arias, later he returned there to sing the title-roles in Leoncavallo's Edipo Re (a role concipated for Titta Ruffo) and Dallapiccola's Il Prigionero. Further engagements include the Royal Opera Stockholm, National Theater Mannheim, Royal Opera Antwerp, Vancouver Opera, the Staatsopern in Vienna, Berlin, Munich, Hamburg and Stuttgart, the Gran Teatro de Liceu and Salzburg Festival. Additionally the operas in Cologne, Karlsruhe, Portland, Hannover, Wuppertal, Frankfurt, Nürnberg, Dortmund and the Deutsche Oper am Rhein Düsseldorf-Duisburg.
Among his stage-partners have been Luciano Pavarotti (Rigoletto), Mirella Freni (La Boheme), Raina Kabaivanska (Madama Butterfly), Lucia Popp (Der Rosenkavalier), Eva Marton (Tosca), Montserrat Caballe (Aida), Martina Arroyo (Aida), Tatjana Troyanos (Carmen), Nadine Connor (La Traviata), Maria Chiara (Otello), Anton Dermota (Palestrina), Ileana Cotrubas (Rosenkavalier), Fiorenza Cossotto (Il Trovatore), Agnes Baltsa (Rosenkavalier) Diana Damrau (Hänsel und Gretel, Rigoletto, Der Freischütz) and Waltraud Meier (Cardillac, Carmen, Il Trovatore, Der Rosenkavalier, Rigoletto). Michael Davidson has appeared in concerts with Mario del Monaco, Erika Köth and Renee Kollo and with such conductors as Giuseppe Patane, Alberto Erede, Kees Bakels, Hans Wallat, Horst Stein, Donald Runnicles and Nello Santi. Mr. Davidson also performed the King in Die Kluge under the direction of the composer Carl Orff. For his artistic accomplishments he has been awarded the title of Kammersänger. Michael Davidson retired from the stage in 1999 as Tonio (I Pagliacci), over 40 years after his debut. His son Robert is now an aspiring young baritone.
Throughout his career Mr. Davidson's repertoire has had a particular focus on the works of Giuseppe Verdi, singing the lead baritone roles in Otello, Un Ballo in Maschera, La Forza del Destino, Il Trovatore, Luisa Miller, La Traviata, Falstaff, Aida, Attila, Don Carlo and I Masnadieri and the title-roles of Rigoletto, Macbeth, Simon Boccanegra, and Nabucco.
He however also frequently portrayed such roles as the four demons (Les Contes D'Hoffmann), Scarpia (Tosca), Michele (Il Tabarro), Rance (La Fanciulla del West), Marcello (La Boheme), Enrico (Lucia di Lammermoor), Tonio (I Pagliacci), Alfio (Cavalleria Rusticana), Barnaba (La Gioconda), Escamillo (Carmen), Amfortas (Parsifal), Wolfram (Tannhäuser), Faninal (Der Rosenkavalier), the High Priest of Dagon (Samson e Dalilah), Valentin (Faust), Dunois (Joan of Arc), Gerard (Andrea Chenier), Sebastiano (Tiefland), the count in Capriccio as well as the title-roles in Gianni Schicci, Edipo Re, Eugene Onegin, Guglielmo Tell and Cardillac.
To purchase a complete recording of Edipo Re live from the Concertgebouw Amsterdam please follow this link:
http://www.opera-club.net/release.asp?rel=75
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Aggiunto: 9 mesi fa
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From a live performance of La Forza del Destino in German. In this aria the evil Don Carlo
From a live performance of La Forza del Destino in German. In this aria the evil Don Carlos di Vargas tells the villagers and Preziosilla the fortune teller the story of his hunt for his sister Leonora and Don Alvaro.
The note dad sings at the end is an A natural by the way.
Resume of Michael Davidson, baritone
Born in Long Beach, California, Michael Davidson studied voice with the Bolshoi's Verdi baritone Vladimir Dubinsky (a student of Antonio Cotogni's), while Hugo Strelitzer and Herbert Weisskopf were his coaches. Michael gave his European debut at the Concertgebouw presenting a variety of Verdi arias, later he returned there to sing the title-roles in Leoncavallo's Edipo Re (a role concipated for Titta Ruffo) and Dallapiccola's Il Prigionero. Further engagements include the Royal Opera Stockholm, National Theater Mannheim, Royal Opera Antwerp, Vancouver Opera, the Staatsopern in Vienna, Berlin, Munich, Hamburg and Stuttgart, the Gran Teatro de Liceu and Salzburg Festival. Additionally the operas in Cologne, Karlsruhe, Portland, Hannover, Wuppertal, Frankfurt, Nürnberg, Dortmund and the Deutsche Oper am Rhein Düsseldorf-Duisburg.
Among his stage-partners have been Luciano Pavarotti (Rigoletto), Mirella Freni (La Boheme), Raina Kabaivanska (Madama Butterfly), Lucia Popp (Der Rosenkavalier), Eva Marton (Tosca), Montserrat Caballe (Aida), Martina Arroyo (Aida), Tatjana Troyanos (Carmen), Nadine Connor (La Traviata), Maria Chiara (Otello), Anton Dermota (Palestrina), Ileana Cotrubas (Rosenkavalier), Fiorenza Cossotto (Il Trovatore), Agnes Baltsa (Rosenkavalier), Diana Damrau (Hänsel und Gretel, Rigoletto, Der Freischütz) and Waltraud Meier (Cardillac, Carmen, Il Trovatore, Der Rosenkavalier, Rigoletto). Michael Davidson has appeared in concerts with Mario del Monaco, Erika Köth and Renee Kollo and with such conductors as Giuseppe Patane, Alberto Erede, Kees Bakels, Hans Wallat, Horst Stein, Donald Runnicles and Nello Santi. Mr. Davidson also performed the King in Die Kluge under the direction of the composer Carl Orff. For his artistic accomplishments he has been awarded the title of Kammersänger. Michael Davidson retired from the stage in 1999 as Tonio (I Pagliacci), over 40 years after his debut. His son Robert is now an aspiring young baritone.
Throughout his career Mr. Davidson's repertoire has had a particular focus on the works of Giuseppe Verdi, singing the lead baritone roles in Otello, Un Ballo in Maschera, La Forza del Destino, Il Trovatore, Luisa Miller, La Traviata, Falstaff, Aida, Attila, Don Carlo and I Masnadieri and the title-roles of Rigoletto, Macbeth, Simon Boccanegra, and Nabucco.
He however also frequently portrayed such roles as the four demons (Les Contes D'Hoffmann), Scarpia (Tosca), Michele (Il Tabarro), Rance (La Fanciulla del West), Marcello (La Boheme), Enrico (Lucia di Lammermoor), Tonio (I Pagliacci), Alfio (Cavalleria Rusticana), Barnaba (La Gioconda), Escamillo (Carmen), Amfortas (Parsifal), Wolfram (Tannhäuser), Faninal (Der Rosenkavalier), the High Priest of Dagon (Samson e Dalilah), Valentin (Faust), Dunois (Joan of Arc), Gerard (Andrea Chenier), Sebastiano (Tiefland), the count in Capriccio as well as the title-roles in Gianni Schicci, Edipo Re, Eugene Onegin, Guglielmo Tell and Cardillac.
To purchase a complete recording of Edipo Re live from the Concertgebouw Amsterdam please follow this link:
http://www.opera-club.net/release.asp?rel=75
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from a live performance in German.
Don Alvaro - Jean Cox
Don Carlos - Michael Davidson
from a live performance in German.
Don Alvaro - Jean Cox
Don Carlos - Michael Davidson
Assorted pics from Cardillac, Aida, Rigoletto, Macbeth, Otello, Andrea Chenier, Tosca, Freischuetz,Il Trovatore, Faust, Nabucco, Die Kluge and Parsifal.
Resume of Michael Davidson, baritone
Born in Long Beach, California, Michael Davidson studied voice with the Bolshoi's Verdi baritone Vladimir Dubinsky (a student of Antonio Cotogni's), while Hugo Strelitzer and Herbert Weisskopf were his coaches. Michael gave his European debut at the Concertgebouw presenting a variety of Verdi arias, later he returned there to sing the title-roles in Leoncavallo's Edipo Re (a role concipated for Titta Ruffo) and Dallapiccola's Il Prigionero. Further engagements include the Royal Opera Stockholm, National Theater Mannheim, Royal Opera Antwerp, Vancouver Opera, the Staatsopern in Vienna, Berlin, Munich, Hamburg and Stuttgart, the Gran Teatro de Liceu and Salzburg Festival. Additionally the operas in Cologne, Karlsruhe, Portland, Hannover, Wuppertal, Frankfurt, Nürnberg, Dortmund and the Deutsche Oper am Rhein Düsseldorf-Duisburg.
Among his stage-partners have been Luciano Pavarotti (Rigoletto), Mirella Freni (La Boheme), Raina Kabaivanska (Madama Butterfly), Lucia Popp (Der Rosenkavalier), Eva Marton (Tosca), Montserrat Caballe (Aida), Martina Arroyo (Aida), Tatjana Troyanos (Carmen), Nadine Connor (La Traviata), Maria Chiara (Otello), Anton Dermota (Palestrina), Ileana Cotrubas (Rosenkavalier), Fiorenza Cossotto (Il Trovatore), Agnes Baltsa (Rosenkavalier), Diana Damrau (Hänsel und Gretel, Rigoletto, Der Freischütz) and Waltraud Meier (Cardillac, Carmen, Il Trovatore, Der Rosenkavalier, Rigoletto). Michael Davidson has appeared in concerts with Mario del Monaco, Erika Köth and Renee Kollo and with such conductors as Giuseppe Patane, Alberto Erede, Kees Bakels, Hans Wallat, Horst Stein, Donald Runnicles and Nello Santi. Mr. Davidson also performed the King in Die Kluge under the direction of the composer Carl Orff. For his artistic accomplishments he has been awarded the title of Kammersänger. Michael Davidson retired from the stage in 1999 as Tonio (I Pagliacci), over 40 years after his debut. His son Robert is now an aspiring young baritone.
Throughout his career Mr. Davidson's repertoire has had a particular focus on the works of Giuseppe Verdi, singing the lead baritone roles in Otello, Un Ballo in Maschera, La Forza del Destino, Il Trovatore, Luisa Miller, La Traviata, Falstaff, Aida, Attila, Don Carlo and I Masnadieri and the title-roles of Rigoletto, Macbeth, Simon Boccanegra, and Nabucco.
He however also frequently portrayed such roles as the four demons (Les Contes D'Hoffmann), Scarpia (Tosca), Michele (Il Tabarro), Rance (La Fanciulla del West), Marcello (La Boheme), Enrico (Lucia di Lammermoor), Tonio (I Pagliacci), Alfio (Cavalleria Rusticana), Barnaba (La Gioconda), Escamillo (Carmen), Amfortas (Parsifal), Wolfram (Tannhäuser), Faninal (Der Rosenkavalier), the High Priest of Dagon (Samson e Dalilah), Valentin (Faust), Dunois (Joan of Arc), Gerard (Andrea Chenier), Sebastiano (Tiefland), the count in Capriccio as well as the title-roles in Gianni Schicci, Edipo Re, Eugene Onegin, Guglielmo Tell and Cardillac.
To purchase a complete recording of Edipo Re live from the Concertgebouw Amsterdam please follow this link:
http://www.opera-club.net/release.asp?rel=75
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Aggiunto: 1 anno fa
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Dad sings the Credo from Otello in the Royal Opera Antwerp. He jumped into this production
Dad sings the Credo from Otello in the Royal Opera Antwerp. He jumped into this production without any prior reherseals.
Resume of Michael Davidson, baritone
Born in Long Beach, California, Michael Davidson studied voice with the Bolshoi's Verdi baritone Vladimir Dubinsky (a student of Antonio Cotogni's), while Hugo Strelitzer and Herbert Weisskopf were his coaches. Michael gave his European debut at the Concertgebouw presenting a variety of Verdi arias, later he returned there to sing the title-roles in Leoncavallo's Edipo Re (a role concipated for Titta Ruffo) and Dallapiccola's Il Prigionero. Further engagements include the Royal Opera Stockholm, National Theater Mannheim, Royal Opera Antwerp, Vancouver Opera, the Staatsopern in Vienna, Berlin, Munich, Hamburg and Stuttgart, the Gran Teatro de Liceu and Salzburg Festival. Additionally the operas in Cologne, Karlsruhe, Portland, Hannover, Wuppertal, Frankfurt, Nürnberg, Dortmund and the Deutsche Oper am Rhein Düsseldorf-Duisburg.
Among his stage-partners have been Luciano Pavarotti (Rigoletto), Mirella Freni (La Boheme), Raina Kabaivanska (Madama Butterfly), Lucia Popp (Der Rosenkavalier), Eva Marton (Tosca), Montserrat Caballe (Aida), Martina Arroyo (Aida), Tatjana Troyanos (Carmen), Nadine Connor (La Traviata), Maria Chiara (Otello), Anton Dermota (Palestrina), Ileana Cotrubas (Rosenkavalier), Fiorenza Cossotto (Il Trovatore), Agnes Baltsa (Rosenkavalier) Diana Damrau (Hänsel und Gretel, Rigoletto, Der Freischütz) and Waltraud Meier (Cardillac, Carmen, Il Trovatore, Der Rosenkavalier, Rigoletto). Michael Davidson has appeared in concerts with Mario del Monaco, Erika Köth and Renee Kollo and with such conductors as Giuseppe Patane, Alberto Erede, Kees Bakels, Hans Wallat, Horst Stein, Donald Runnicles and Nello Santi. Mr. Davidson also performed the King in Die Kluge under the direction of the composer Carl Orff. For his artistic accomplishments he has been awarded the title of Kammersänger. Michael Davidson retired from the stage in 1999 as Tonio (I Pagliacci), over 40 years after his debut. His son Robert is now an aspiring young baritone.
Throughout his career Mr. Davidson's repertoire has had a particular focus on the works of Giuseppe Verdi, singing the lead baritone roles in Otello, Un Ballo in Maschera, La Forza del Destino, Il Trovatore, Luisa Miller, La Traviata, Falstaff, Aida, Attila, Don Carlo and I Masnadieri and the title-roles of Rigoletto, Macbeth, Simon Boccanegra, and Nabucco.
He however also frequently portrayed such roles as the four demons (Les Contes D'Hoffmann), Scarpia (Tosca), Michele (Il Tabarro), Rance (La Fanciulla del West), Marcello (La Boheme), Enrico (Lucia di Lammermoor), Tonio (I Pagliacci), Alfio (Cavalleria Rusticana), Barnaba (La Gioconda), Escamillo (Carmen), Amfortas (Parsifal), Wolfram (Tannhäuser), Faninal (Der Rosenkavalier), the High Priest of Dagon (Samson e Dalilah), Valentin (Faust), Dunois (Joan of Arc), Gerard (Andrea Chenier), Sebastiano (Tiefland), the count in Capriccio as well as the title-roles in Gianni Schicci, Edipo Re, Eugene Onegin, Guglielmo Tell and Cardillac.
To purchase a complete recording of Edipo Re live from the Concertgebouw Amsterdam please follow this link:
http://www.opera-club.net/release.asp?rel=75
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Aggiunto: 1 anno fa
Visualizzazioni: 911
Having never studied voice, Fred Gates sings "Celeste Aida" at age 25 in a live performanc
Having never studied voice, Fred Gates sings "Celeste Aida" at age 25 in a live performance as Radames. Fred was a great human being and the possessor of one of the greatest tenor voices.
He is greatly missed.
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Otello - Renato Francesconi
Iago - Michael Davidson
The pics are from different prod
Otello - Renato Francesconi
Iago - Michael Davidson
The pics are from different productions.
Sorry for the audio quality , it was a live performance.
Resume of Michael Davidson, baritone
Born in Long Beach, California, Michael Davidson studied voice with the Bolshoi's Verdi baritone Vladimir Dubinsky (a student of Antonio Cotogni's), while Hugo Strelitzer and Herbert Weisskopf were his coaches. Michael gave his European debut at the Concertgebouw presenting a variety of Verdi arias, later he returned there to sing the title-roles in Leoncavallo's Edipo Re (a role concipated for Titta Ruffo) and Dallapiccola's Il Prigionero. Further engagements include the Royal Opera Stockholm, National Theater Mannheim, Royal Opera Antwerp, Vancouver Opera, the Staatsopern in Vienna, Berlin, Munich, Hamburg and Stuttgart, the Gran Teatro de Liceu and Salzburg Festival. Additionally the operas in Cologne, Karlsruhe, Portland, Hannover, Wuppertal, Frankfurt, Nürnberg, Dortmund and the Deutsche Oper am Rhein Düsseldorf-Duisburg.
Among his stage-partners have been Luciano Pavarotti (Rigoletto), Mirella Freni (La Boheme), Raina Kabaivanska (Madama Butterfly), Lucia Popp (Der Rosenkavalier), Eva Marton (Tosca), Montserrat Caballe (Aida), Martina Arroyo (Aida), Tatjana Troyanos (Carmen), Nadine Connor (La Traviata), Maria Chiara (Otello), Anton Dermota (Palestrina), Ileana Cotrubas (Rosenkavalier), Fiorenza Cossotto (Il Trovatore), Agnes Baltsa (Rosenkavalier), Diana Damrau (Hänsel und Gretel, Rigoletto, Der Freischütz) and Waltraud Meier (Cardillac, Carmen, Il Trovatore, Der Rosenkavalier, Rigoletto). Michael Davidson has appeared in concerts with Mario del Monaco, Erika Köth and Renee Kollo and with such conductors as Giuseppe Patane, Alberto Erede, Kees Bakels, Hans Wallat, Horst Stein, Donald Runnicles and Nello Santi. Mr. Davidson also performed the King in Die Kluge under the direction of the composer Carl Orff. For his artistic accomplishments he has been awarded the title of Kammersänger. Michael Davidson retired from the stage in 1999 as Tonio (I Pagliacci), over 40 years after his debut. His son Robert is now an aspiring young baritone.
Throughout his career Mr. Davidson's repertoire has had a particular focus on the works of Giuseppe Verdi, singing the lead baritone roles in Otello, Un Ballo in Maschera, La Forza del Destino, Il Trovatore, Luisa Miller, La Traviata, Falstaff, Aida, Attila, Don Carlo and I Masnadieri and the title-roles of Rigoletto, Macbeth, Simon Boccanegra, and Nabucco.
He however also frequently portrayed such roles as the four demons (Les Contes D'Hoffmann), Scarpia (Tosca), Michele (Il Tabarro), Rance (La Fanciulla del West), Marcello (La Boheme), Enrico (Lucia di Lammermoor), Tonio (I Pagliacci), Alfio (Cavalleria Rusticana), Barnaba (La Gioconda), Escamillo (Carmen), Amfortas (Parsifal), Wolfram (Tannhäuser), Faninal (Der Rosenkavalier), the High Priest of Dagon (Samson e Dalilah), Valentin (Faust), Dunois (Joan of Arc), Gerard (Andrea Chenier), Sebastiano (Tiefland), the count in Capriccio as well as the title-roles in Gianni Schicci, Edipo Re, Eugene Onegin, Guglielmo Tell and Cardillac.
To purchase a complete recording of Edipo Re live from the Concertgebouw Amsterdam please follow this link:
http://www.opera-club.net/release.asp?rel=75
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Dad singing "Pari Siamo" from Rigoletto. He put his whole heart into this role.
Resume
Dad singing "Pari Siamo" from Rigoletto. He put his whole heart into this role.
Resume of Michael Davidson, baritone
Born in Long Beach, California, Michael Davidson studied voice with the Bolshoi's Verdi baritone Vladimir Dubinsky (a student of Antonio Cotogni's), while Hugo Strelitzer and Herbert Weisskopf were his coaches. Michael gave his European debut at the Concertgebouw presenting a variety of Verdi arias, later he returned there to sing the title-roles in Leoncavallo's Edipo Re (a role concipated for Titta Ruffo) and Dallapiccola's Il Prigionero. Further engagements include the Royal Opera Stockholm, National Theater Mannheim, Royal Opera Antwerp, Vancouver Opera, the Staatsopern in Vienna, Berlin, Munich, Hamburg and Stuttgart, the Gran Teatro de Liceu and Salzburg Festival. Additionally the operas in Cologne, Karlsruhe, Portland, Hannover, Wuppertal, Frankfurt, Nürnberg, Dortmund and the Deutsche Oper am Rhein Düsseldorf-Duisburg.
Among his stage-partners have been Luciano Pavarotti (Rigoletto), Mirella Freni (La Boheme), Raina Kabaivanska (Madama Butterfly), Lucia Popp (Der Rosenkavalier), Eva Marton (Tosca), Montserrat Caballe (Aida), Martina Arroyo (Aida), Tatjana Troyanos (Carmen), Nadine Connor (La Traviata), Maria Chiara (Otello), Anton Dermota (Palestrina), Ileana Cotrubas (Rosenkavalier), Fiorenza Cossotto (Il Trovatore), Agnes Baltsa (Rosenkavalier) Diana Damrau (Hänsel und Gretel, Rigoletto, Der Freischütz) and Waltraud Meier (Cardillac, Carmen, Il Trovatore, Der Rosenkavalier, Rigoletto). Michael Davidson has appeared in concerts with Mario del Monaco, Erika Köth and Renee Kollo and with such conductors as Giuseppe Patane, Alberto Erede, Kees Bakels, Hans Wallat, Horst Stein, Donald Runnicles and Nello Santi. Mr. Davidson also performed the King in Die Kluge under the direction of the composer Carl Orff. For his artistic accomplishments he has been awarded the title of Kammersänger. Michael Davidson retired from the stage in 1999 as Tonio (I Pagliacci), over 40 years after his debut. His son Robert is now an aspiring young baritone.
Throughout his career Mr. Davidson's repertoire has had a particular focus on the works of Giuseppe Verdi, singing the lead baritone roles in Otello, Un Ballo in Maschera, La Forza del Destino, Il Trovatore, Luisa Miller, La Traviata, Falstaff, Aida, Attila, Don Carlo and I Masnadieri and the title-roles of Rigoletto, Macbeth, Simon Boccanegra, and Nabucco.
He however also frequently portrayed such roles as the four demons (Les Contes D'Hoffmann), Scarpia (Tosca), Michele (Il Tabarro), Rance (La Fanciulla del West), Marcello (La Boheme), Enrico (Lucia di Lammermoor), Tonio (I Pagliacci), Alfio (Cavalleria Rusticana), Barnaba (La Gioconda), Escamillo (Carmen), Amfortas (Parsifal), Wolfram (Tannhäuser), Faninal (Der Rosenkavalier), the High Priest of Dagon (Samson e Dalilah), Valentin (Faust), Dunois (Joan of Arc), Gerard (Andrea Chenier), Sebastiano (Tiefland), the count in Capriccio as well as the title-roles in Gianni Schicci, Edipo Re, Eugene Onegin, Guglielmo Tell and Cardillac.
To purchase a complete recording of Edipo Re live from the Concertgebouw Amsterdam please follow this link:
http://www.opera-club.net/release.asp?rel=75
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Aggiunto: 1 anno fa
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My dad sings the Te Deum from Puccini's Tosca. The pics are from Parsifal, Nabucco, Freisc
My dad sings the Te Deum from Puccini's Tosca. The pics are from Parsifal, Nabucco, Freischuetz, Otello, Andrea Chenier and of Sant Andrea della Valle.
Resume of Michael Davidson, baritone
Born in Long Beach, California, Michael Davidson studied voice with the Bolshoi's Verdi baritone Vladimir Dubinsky (a student of Antonio Cotogni's), while Hugo Strelitzer and Herbert Weisskopf were his coaches. Michael gave his European debut at the Concertgebouw presenting a variety of Verdi arias, later he returned there to sing the title-roles in Leoncavallo's Edipo Re (a role concipated for Titta Ruffo) and Dallapiccola's Il Prigionero. Further engagements include the Royal Opera Stockholm, National Theater Mannheim, Royal Opera Antwerp, Vancouver Opera, the Staatsopern in Vienna, Berlin, Munich, Hamburg and Stuttgart, the Gran Teatro de Liceu and Salzburg Festival. Additionally the operas in Cologne, Karlsruhe, Portland, Hannover, Wuppertal, Frankfurt, Nürnberg, Dortmund and the Deutsche Oper am Rhein Düsseldorf-Duisburg.
Among his stage-partners have been Luciano Pavarotti (Rigoletto), Mirella Freni (La Boheme), Raina Kabaivanska (Madama Butterfly), Lucia Popp (Der Rosenkavalier), Eva Marton (Tosca), Montserrat Caballe (Aida), Martina Arroyo (Aida), Tatjana Troyanos (Carmen), Nadine Connor (La Traviata), Maria Chiara (Otello), Anton Dermota (Palestrina), Ileana Cotrubas (Rosenkavalier), Fiorenza Cossotto (Il Trovatore), Agnes Baltsa (Rosenkavalier), Diana Damrau (Hänsel und Gretel, Rigoletto, Der Freischütz) and Waltraud Meier (Cardillac, Carmen, Il Trovatore, Der Rosenkavalier, Rigoletto). Michael Davidson has appeared in concerts with Mario del Monaco, Erika Köth and Renee Kollo and with such conductors as Giuseppe Patane, Alberto Erede, Kees Bakels, Hans Wallat, Horst Stein, Donald Runnicles and Nello Santi. Mr. Davidson also performed the King in Die Kluge under the direction of the composer Carl Orff. For his artistic accomplishments he has been awarded the title of Kammersänger. Michael Davidson retired from the stage in 1999 as Tonio (I Pagliacci), over 40 years after his debut. His son Robert is now an aspiring young baritone.
Throughout his career Mr. Davidson's repertoire has had a particular focus on the works of Giuseppe Verdi, singing the lead baritone roles in Otello, Un Ballo in Maschera, La Forza del Destino, Il Trovatore, Luisa Miller, La Traviata, Falstaff, Aida, Attila, Don Carlo and I Masnadieri and the title-roles of Rigoletto, Macbeth, Simon Boccanegra, and Nabucco.
He however also frequently portrayed such roles as the four demons (Les Contes D'Hoffmann), Scarpia (Tosca), Michele (Il Tabarro), Rance (La Fanciulla del West), Marcello (La Boheme), Enrico (Lucia di Lammermoor), Tonio (I Pagliacci), Alfio (Cavalleria Rusticana), Barnaba (La Gioconda), Escamillo (Carmen), Amfortas (Parsifal), Wolfram (Tannhäuser), Faninal (Der Rosenkavalier), the High Priest of Dagon (Samson e Dalilah), Valentin (Faust), Dunois (Joan of Arc), Gerard (Andrea Chenier), Sebastiano (Tiefland), the count in Capriccio as well as the title-roles in Gianni Schicci, Edipo Re, Eugene Onegin, Guglielmo Tell and Cardillac.
To purchase a complete recording of Edipo Re live from the Concertgebouw Amsterdam please follow this link:
http://www.opera-club.net/release.asp?rel=75
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Aggiunto: 1 anno fa
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Michael Davidson and Grit Van Jueten singing this wonderful duet in a live performance.
Michael Davidson and Grit Van Jueten singing this wonderful duet in a live performance.
Resume of Michael Davidson, baritone
Born in Long Beach, California, Michael Davidson studied voice with the Bolshoi's Verdi baritone Vladimir Dubinsky (a student of Antonio Cotogni's), while Hugo Strelitzer and Herbert Weisskopf were his coaches. Michael gave his European debut at the Concertgebouw presenting a variety of Verdi arias, later he returned there to sing the title-roles in Leoncavallo's Edipo Re (a role concipated for Titta Ruffo) and Dallapiccola's Il Prigionero. Further engagements include the Royal Opera Stockholm, National Theater Mannheim, Royal Opera Antwerp, Vancouver Opera, the Staatsopern in Vienna, Berlin, Munich, Hamburg and Stuttgart, the Gran Teatro de Liceu and Salzburg Festival. Additionally the operas in Cologne, Karlsruhe, Portland, Hannover, Wuppertal, Frankfurt, Nürnberg, Dortmund and the Deutsche Oper am Rhein Düsseldorf-Duisburg.
Among his stage-partners have been Luciano Pavarotti (Rigoletto), Mirella Freni (La Boheme), Raina Kabaivanska (Madama Butterfly), Lucia Popp (Der Rosenkavalier), Eva Marton (Tosca), Montserrat Caballe (Aida), Martina Arroyo (Aida), Tatjana Troyanos (Carmen), Nadine Connor (La Traviata), Maria Chiara (Otello), Anton Dermota (Palestrina), Ileana Cotrubas (Rosenkavalier), Fiorenza Cossotto (Il Trovatore), Agnes Baltsa (Rosenkavalier), Diana Damrau (Hänsel und Gretel, Rigoletto, Der Freischütz) and Waltraud Meier (Cardillac, Carmen, Il Trovatore, Der Rosenkavalier, Rigoletto). Michael Davidson has appeared in concerts with Mario del Monaco, Erika Köth and Renee Kollo and with such conductors as Giuseppe Patane, Alberto Erede, Kees Bakels, Hans Wallat, Horst Stein, Donald Runnicles and Nello Santi. Mr. Davidson also performed the King in Die Kluge under the direction of the composer Carl Orff. For his artistic accomplishments he has been awarded the title of Kammersänger. Michael Davidson retired from the stage in 1999 as Tonio (I Pagliacci), over 40 years after his debut. His son Robert is now an aspiring young baritone.
Throughout his career Mr. Davidson's repertoire has had a particular focus on the works of Giuseppe Verdi, singing the lead baritone roles in Otello, Un Ballo in Maschera, La Forza del Destino, Il Trovatore, Luisa Miller, La Traviata, Falstaff, Aida, Attila, Don Carlo and I Masnadieri and the title-roles of Rigoletto, Macbeth, Simon Boccanegra, and Nabucco.
He however also frequently portrayed such roles as the four demons (Les Contes D'Hoffmann), Scarpia (Tosca), Michele (Il Tabarro), Rance (La Fanciulla del West), Marcello (La Boheme), Enrico (Lucia di Lammermoor), Tonio (I Pagliacci), Alfio (Cavalleria Rusticana), Barnaba (La Gioconda), Escamillo (Carmen), Amfortas (Parsifal), Wolfram (Tannhäuser), Faninal (Der Rosenkavalier), the High Priest of Dagon (Samson e Dalilah), Valentin (Faust), Dunois (Joan of Arc), Gerard (Andrea Chenier), Sebastiano (Tiefland), the count in Capriccio as well as the title-roles in Gianni Schicci, Edipo Re, Eugene Onegin, Guglielmo Tell and Cardillac.
To purchase a complete recording of Edipo Re live from the Concertgebouw Amsterdam please follow this link:
http://www.opera-club.net/release.asp?rel=75
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